Hands-on Customs exhibition a success
In this centenary year of Australian Federation and
of Customs, the National Maritime Museum puts Customs in the spotlight in the Smugglers-
Customs and Contraband 1901-2001 exhibition.
The Sydney Morning Herald has listed the exhibition as a must-see on two occasions since its opening
in December. The museum reports that 7000 children saw the Smugglers
in Space show during the summer school holidays.
The exhibition is open at the Australian National Maritime
Museum until July 2001. A smaller show will tour the nation over the next two years.
The curators who researched and assembled Smugglers-Customs and Contraband 1901-2001 at the National Maritime Museum agree it was quite different from most
exhibitions they had worked on previously.
They have rarely worked as closely with one organisation
as they did with Customs, and it was a rewarding experience.
"One thing that made it very interesting was the
great wealth of material we could draw from Customs' educational and historical collections," says Patricia
Miles, one of the curators.
"Graeme Austin and his colleagues have fortunately
done an excellent job maintaining and documenting them.
"Customs clearly values its heritage and its own
special culture. There's an evident awareness that a knowledge of corporate history helps an organisation to see
its present work and its future directions more clearly."
It's always hard to say exactly where the idea for a
new exhibition originated, but certainly the possibility developed from a discussion several years ago between
Graeme Austin, Customs Director of Compliance, and Mary-Louise Williams, then the Museum's Assistant Director,
Exhibitions and Collections.
As Ms Williams, now the Museum's Director, said in her
remarks at a special celebration
of the Customs Centenary on
24 January this year: "We take a broad view of maritime history... and we readily accepted that the activities
of the people who guard our shores against illegal imports to be well within our brief."
The decision was taken to proceed, and 18 months ago
the curators and other museum specialists (conservators, designers, registrars, marketing staff) on the exhibition
team set out to develop a presentation to spotlight Australian Customs in a way that it would appeal to the wide
multitude of museum visitors.
During the exhibition's development, there were a few
changes of personnel, another unusual aspect. The original concept and initial development were the work of curators
Kevin Jones and Helen Trepa. In March 2000 Helen left (somewhat earlier than anticipated) to have a baby and Patricia
Miles took over her work. In July Kevin Jones, the exhibition's co-ordinator, left to take up the post of Director
of the South Australian Maritime Museum. Stephen Thompson took up his curator's role, while the exhibition's chief
designer, Wendy Osmond, took over the co-ordination.
The exhibition team dreamed up some intriguing "props"
like the suspicious characters that lurk in niches along the hallway leading in to the exhibition. These characters
just beg to be searched, and visitors have the opportunity to do just that. And then the team put themselves in
the show. When models were needed for a large-scale photo mural of people at a customs barrier, the team and many
museum colleagues lined up.
"We've had a lot of fun," says the exhibition's
second curator, Stephen Thompson. "But I agree with Patricia. On the more serious side of putting the exhibition
together, there was an enormous wealth of historical material available. The Australian Customs Service would have
to have one of the largest historical collections in the country. The diversity of the collection is amazing, there
are objects that date from early colonial days to the most recent people-smuggling events."
Patricia says her research for the exhibition took her
behind the scenes, and gave her glimpses of the Customs service in operation that other people rarely see.
"When I next return from overseas
I will be asking myself how I measure up for risk assessment," she added.
She found it fascinating to talk to specialist officers
at the ship search establishment, Neutral Bay, about the dangers and other practical issues in searching vessels.
On another occasion she got information straight from "the horse's mouth" when she spoke to the Customs
Officer in Perth who detained the Aum Supreme Sect members at Perth Airport in 1993 and the Federal Police officer
who later investigated their activities in Australia.
And she recorded first-hand descriptions of the way
heroin seized from the ship Uniana had been formed into blocks, wrapped and packed-and used this information to
replicate a display for the Museum.
"I've told quite a few people about the day an
officer was showing us how ionscan equipment detects illegal substances," she said.
"He found cocaine on my handbag! I have no idea
how it got there. The officer quickly settled me down when he said I could have put the bag down on a surface where
there was a small trace of it."
The curators also drew on the education collections
of Environment Australia and the Australian Quarantine and Inspection Service and the Australian Federal Police
Museum. Immigration authorities helped with material on illegal immigration. The National Archives of Australia,
the State Libraries of New South Wales, Victoria and Queensland, the Australian National Library and the National
Gallery of Australia all lent objects and documents for display. The curators also drew on the National Maritime
Museum's own collections, particularly for the Federation and Human Cargo sections of the exhibition.
In all, the curators selected some hundreds of items
for the exhibition, ranging from old gauging equipment to a whole month's wildlife seizures from Sydney airport
and International Mail Centre. The result is an exhibition with appeal for all museum visitors.
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